I’m in the two-day gap between AWP and the CCCC today, so after some laundry and picking up the cat, I’m trying to sort through the AWP swag. I tried to get bookmarks, postcards, or other reminders from as many new -to-me journals as I could.The goal was to target my poetry well. I want to send to journals that look like a good fit, and AWP’s Bookfair is the best possible way to see literally hundreds of journals and presses in one enormous exhibit hall. Who doesn’t want to do that?
Luckily, I was there representing Moon City Press, so I got to see the process from both sides, editor and writer. From the editor side, it was wonderful seeing so many writers (especially poets) dedicated to their craft . Several sent their manuscripts to the Moon City Poetry Prize while still at AWP, and I look forward to reading them. The contest’s deadline is May 1, but the reading begins now due to the number of submissions. It was also great having the offsite reading for Moon City Press authors Keri French, Kim Magowan, Travis Mossotti and Michelle Ross. Dinner afterwards at The Hall was so much fun, andI can’t remember ever being with better or more interesting people. Of course, that is what AWP is like.
I haven’t been to AWP for several years, so being at the Bookfair was a real treat for me. As a poet, the chance to see so many of the presses I know and people I know was so much fun.There are no better or more generous people in the world than writers. My colleagues Mike Czyzniejewski and Joel Coltharp flew out with me, knowing that my knees make me a dicey traveler. This trip was for easier for me than past trispthough. Losing 95 pounds makes walking easier whether you have arthritis damage or not. However, I did have to pace myself. I still made it to every row, visiting many, many tables and booths. The photo shows the pile of contacts that I’m sifting through today, hoping that new publications will be the result.
And now, on to the CCCC, which I also love, but in a different way.I will be doing a roundtable with colleagues Margaret Weaver, Jennifer Murvin, and grad students Brandon Henry and Dane Lale on crossover pedagogy between creative wiring and composition..